Thursday, April 30, 2009

A FORM OF BODY MODIFICATION

In one of our lectures in our anthropology class, we discussed body modifications from all over the world. In groups, we brainstormed a list of different modification tactics. I remember my group came up with ones such as eating disorders, tattooing, neck elongating, body piercing, and plastic surgery.  All of these methods of body modification have a meaning and a history. Some are socially accepted in some cultures, and not in others.

I really like what Carol Delaney points out in this passage from her Investigating Cultures book. This is from her passage in her chapter titled "Our Bodies, Our Selves": "Some extreme practices of marking the body could also be interpreted as a means of rebellion; however, according to one advocate, "the most important thing you learn is that you are not your body, you just live in it." (Vale and Juno 1989:29) These "modern primitives" as they are called, are of the opinion that you have rather than you are your body. Overcoming pain and daring to step outside of conventional society is expressed in terms of control in the last place where they feel they can exercise this- the body (not unlike explanations given by anorexics). Some of them also feel that their practices are part of a spiritual processes that puts then in touch with authentic primitives and the types of rituals they have had to endure."

There are millions of reasons why people get tattoos. Some more understandable and respectable than others, but all valid I suppose. I believe that if something is truly meaningful to you and has some significance in your life, and you want it to be tattooed on you, then go for it. I feel that otherwise, you will "outgrow" your tattoo, and not want it to remain on your body. But if you get something as meaningful as the men and women who got tattoos commemorating their loved ones who were lost in the 9/11 tragedy, then that is something that will stay with you forever.

As we learned in Strange Harvest by Leslie Sharp, everyone defines the body differently. How much our soul connected with our bodies is debatable: is there an obvious connection, or are our bodies separate entities  entirely? Some people feel a deeper connection between body and mind and soul than others. This controversial ethnography discusses the ins and outs and positives and negatives of organ transplants. I had never considered any of these factors. I learned that the intertwinement between ourselves and our bodies is so incredibly intimate. This is something that is weighed heavily during organ transplants as it is often difficult for families and friends to know that their loved one does not look the same as a result of the procedure, and that their organs are living on in someone else.

In one of our labs we discussed how our bodies affect our perception of ourself. My answer was yes, that I thought I would be a slightly different person if I inhibited another body. My confidence and my demeanor might be different. Of course, essentially I would have the same soul and the same values, but some small aspects of myself might be different. I identify with my body significantly. I feel like if I were to put something permanent on my body, it would be representative of myself. BUT, that is not necessarily a bad thing.  Tattooing is a way of representation, and my research has opened my eyes up to that.



1. Delaney, Carol.
Investigating Culture: An Experiential Introduction to Anthropology.
Malden, MA.: Wiley-Blackwell, 2004. (page 244)
2. Sharp, Lesley a. A. Strange Harvest: Organ Transplants, Denatured Bodies, and the Transformed Self.
Berkeley: University  of California Press, 2006.

"INDELIBLE MEMORIES"

While reading Carol Delaney's chapter "Our Bodies, Our Selves" in her book Investigating Cultures, I was inspired by her mentioning of a photography exhibit at the Staten Island historical Society called "Indelible Memories: Sept. 11 Memorial Tattoos Photographed by Vinnie Amesse". I have never heard of this exhibit before, but upon conducting further research, it's fascinating! I think it shows an aspect of tattooing that I had not really considered prior to my research. I know that when you suffer the lost of a loved one, or you experience something traumatic, there is a search for way to heal. Healing is complex and intangible, and everyone handles mourning differently. For some, maybe indelibly imprinting themselves makes them feel more whole. I found a New York Times article from April 4, 2003 by Julie Salamon called "Tragedy Pierces the Heart, Memory the Skin". The article explains the project and the stories of the many affected on Staten Island by the September 11th tragedy. The exhibition displayed over 100 photographs of tattoos on the bodies of firefighters and other Staten Island residents who were affected by the tragedies.

Here are some of the photos that I found on this website: http://www.peprallyusa.com/siny.html
George Donnelly, of Staten Island, NY, with 9-11 tattoos
George Donnelly with his new patriotic tattoos, inspired by 9/11.


His daughter perished on 9-11
George Henrique, a man who lost his 29-year-old daughter, Michelle, who was killed in the attacks. His tattoo is a picture of his lost daughter.

This police officer lost his life partner, a firefighter, on 9-11
Francis Coppola, a firefighter who lost his life partner and nineteen friends on September 11th. His tattoos is dedicated to all those he lost.

Through reading the NYT article and looking at the images and their captions, I feel so strongly that these men and women are heros, many are firefighters and all are survivors. They are survivors of losing loved ones and of witnessing an atrocious act committed against our nation. If getting tattoos is a form of healing for them, then who am I to judge? I think this display of loss is remarkable. Alice Gould, a 63-year-old woman got a tattoo in honor of her nephew, and said that, "People stop and ask me about it and I tell the story so I feel I am keeping his spirit alive." I think this is a very interesting way to see tattoos, as a way to keep someone alive.

The ideas behind this exhibit have really opened my mind to why people would get tattoos. This is something that will always be historically remembered and treasured.


1. Tragedy Pierces the Heart, Memory the Skin.
2003 The New York Times.  Julie Salamon. Electronic Document.
http://www.nytimes.com/2003/04/04/arts/tragedy-pierces-the-heart-memory-the-skin.html?pagewanted=all. Accessed 10 April 2009.
2. PepRallyUSA.
2002-3 PepRallyUSA.com. Written by Dana Johnston. Photographs by Vinnie Amessee. Electronic Document.
http://www.peprallyusa.com/siny.html. Accessed 28 April 2009.